Engaging Sarasvati

February 28th, 2012

By Douglas Mills

In Buddhism, Shri Sarasvati Devi is the consort of Manjushri. She is also closely associated with Prajñaparamita, Shri Devi, Vasudhari, Maha Devi and Durga Ekajati.

There is a temple near Bir in Himachal Pradesh with a statue of Maha Devi Durga Sarasvati which is over 500 years old. See pictures.

Fresco portraying Sarasvati, Mahadevi and Durga Photo Douglas Mills

500 year old statue of Mahadevi Photo Douglas Mills

View back to Bir from temple Photo Douglas Mills

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

There are many praises and sadhanas of Sarasvati in sanskrit and tibetan in both the oral and revealed treasure lineages.
One may find sadhanas to Sarasvati in the collection of sadhanas of Jamyang Khyentse Wangpo and the collected treasures of H.H. Dilgo Khyentse Rinpoche. Jamyang Khyentse Wangpo practiced a form of Manjushri and Sarasvati riding on a blue lion.

See how she is depicted in the original sanskrit :

SŔĪ SARASVATI STOTRAM.
Hymn to Shri Sarasvati.

YĀ KUNDEN DUTU SARĀH ADHA VALĀ
Your manifestations thoroughly destroy the afflictions like the scent of the jasmine flower,

YĀ SUBHRA VASTRĀ VRTĀ
your appearance radiantly beautiful, shining protector

YĀ VINĀ VARA DANDA MANDIT AKARĀ
sublimely playing a beautifully adorned vina,

YĀ SVETA PADM ĀSANĀ
your body brilliant white, seated in lotus asana.

YĀ BRAHMĀ ĆYUTA SANKARA
Your sacred resonance streams forth as auspicious

PRABHRTIR DEVAI SADĀ VANDITĀ
offerings and praises to the devas, a celebratory proclamation of purity.

SĀMĀM PĀTU SARASVATI BHAGAVATÃ NIH SESA JĀDYĀ PAHĀ
Sovereign Bhagavati Sarasvati, entirely dispelling, without remainder, any lack of discernment.

SARASVATI MAHĀ BHĀGE VIDYE KAMALA LOĆANE
I offer this hymn of praise to Sarasvati, the mighty patron of knowledge, the lotus eyed one,

VIDYA RPE VISĀ LĀKSHI VIDYĀM DEHI NAMO STUTE
wisdom taking form, distinguished queen, the very embodiment of awareness.

 

Her activity is described in the sadhana text as follows:
Excerpts from the sadhana called ‘The Melodic Tambura’.

NAMAH SVARASVATYAI
Homage to You, the shining essence of resonance, the Svarasvati.

Svarasvati, Nada Bhava, (the origin of vibration),
the Devi of speech who has mastery over all resonance,
resting in emptiness,
the origin of all eloquent exposition and the tambura, care for me.

In order to fulfill one’s aspirations for the attainment of sublime intelligence and the very quintessence of resonance,
this play of the descent of supreme liberation of the vajra devi Sarasvati is set forth….

Bhagavati Vakk’ishvari, queen of speech,
through the power of my heart of devotion,
from the entire abundance of seed syllables,
blossoms this hymn of praise as an offering to your ears.

Knowing myriads of poetry,
an effortless waterfall of praises imbibes the waves of your youthful beauty.
You are the ocean of engagement,
brimming with the limitless discernment of the Jinas.

Born from unity, elegant queen of sentient beings who traverses the sky,
holding the appearance of the moon’s reflection,
light of the moon like the conch and kunda flower,
your appearance moistens a hundred answers with the vase that emanates joyous amrita,
the medicine that dispels the disease of the gradations of existence.

Beautifying like the petals of the utpala come your joyous,
lightning quick, playful glances from the corner of your eyes,
the flush of your cheeks displays the intoxication of faith,
your raga of intelligence clarifys any enquiry whatsoever.

Your lips, the lushness of bimpa petals, the very rasa of reality,
your teeth a garland of white moon pillars
and the embrace of your dancelike display of ripening knowledge
is fully supported by this effulgence. ….

Another excerpt from a sadhana called The Secret Practice of Red Sarasvati With Five Deities:

To the queen of all primordial wisdom, the devi who demonstrates the embodiment of intelligence,
bestowing superior memory and understanding, Vajra Sarasvati, my head is at your feet.

Provisional translations by Douglas Mills.

Sarasvati Photos Janine Schulz and Noa Jones

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It Takes Two

February 28th, 2012

Robert Spellman

Rinpoche with Robert Photo Emily Crow

Artistic practice and meditation practice make fine companions. They are mutually complementary, one illuminating what may not be apparent in the other. This interplay is useful in exposing deception, perception’s twisted sister. Drawing a simple object enhances our ability to see while simultaneously revealing how inaccurately we see. Meditation practice stabilizes the mind while simultaneously revealing how skittish the mind is. In my classes at Naropa University I recommend alternating between sessions of meditation and sessions of drawing. It is only a matter of time before the two meet, like long lost twins separated at birth.

February 5, 2012

www.robertspellman.com

Pewter Pitcher By Robert Spellman

 

Persimmon By Robert Spellman

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Immateriality – intention as Art

February 28th, 2012

Raphael Zimmerman

In the near future there will be widely recognised art forms that need no longer be object based. One could think of them as pure intention, conscious actions, interrelations, or perhaps communication. Their expanded levels of awareness could be described as “Intention being the forth dimension” or simply as Immateriality, extending our collective consciousness as well as our collective experience -making entire new dimensions (of) our own.

Despite their previous ‘non-existence’, these new dimensions are emerging into ever more popular conscious existence, not least through our participation in virtual cyber worlds and via artists deliberately creating within the freshly recognised fields of Social Sculpture and Immateriality to mention but a few.

In the beginning these consciousness expansions took the form of mental enhancement and mind training techniques fostered by the New Age Rebellion meeting with Eastern spirituality and not least through the effects of recreational mind-altering drugs combined with art and music.

Today’s Immateriality then, is becoming a valid and important art form because through its’ appreciation we are widening our self-awareness both individually and collectively. Becoming ever more aware, we enrich reality, take greater responsibility and realise more of the creative beings we are.

As Joseph Beuys said: “Each and everyone here is an artist.” Being Beuys, he was already further along the track – was already proclaiming these new fields of experience as politicised realms from where to consciously radiate out into different environments.

Art today is no longer just about imagery, or even abstract ideas, but more subtly, about greater self awareness alongside a newly linked super-awareness á la Teilhard de Chardin’s ‘third step’ in human consciousness evolution known as Noosphere.

en.wikipedia.org/wiki/Marina_Abramovi%C4%87

www.raphaelzimmerman.com

 

Immateriality - Love By Raphael Zimmerman

Mixing Yin and Yang By Rapheal Zimmerman

Looking at Abstract Art Can Be Like Listening to Music By Rapheal Zimmerman

Joy By Rapheal Zimmerman

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Chipping Away

February 28th, 2012

Fiona White

Already an artist, Fiona got a yearning to learn how to carve stone so she did a course in the north west of Ireland. While on the course she went on a Buddhist meditation retreat in the southwest and was slowly more drawn into Buddhism. Through this, she came across mani stones. It seemed a natural progression to start carving them and bring together stone work and meditation. While carving the first mani stone she met Orgyen Tobgyal Rinpoche and since then she has been on many trips to Bir in India, learning what she can. Carving when she can. Fiona has a commitment to carve 100 mani stones.

The benefit of mani stones is manifold. The mantras on the stone play and interact with the elements. It is said that they have the same energy, power and blessings as the Buddha they represent. And so, in the same way as chanting the mantra, creating and looking at them, has the power to heal and transform the mind. When they are out in the open, it is like they radiate the mantra and all the energy within it

Here are some beautiful examples of Traditional Mani stones , Fiona’s work and a link to her website with a video of her beautiful studio and environment in Ireland.

Mani mantra, Photo Fiona White

Mani wall, Chokling Gompa, Bir, Photo Fiona white

Vajra Guru Mantra, Photo Fiona White

Lotus by the Lake, Photos Fiona white

http://www.manistones.net/

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