My Master is like the sky

February 25th, 2012

Ngawang Kundrol For Kyabje Trulshik Rinpoche

My Master is like the sky
Not delimitated by substancial things
For sky like light pours through everywhere
Without movement.

My Master is transparency
That reveals itself not as in a dream
But present and unmoving
He reveals the dream.

My Master’s patience has no equal
Even as my mind turns upon itself
His smile holds me intact
On a bright moon sliver.

My Master is the rain and night I see
And the cold I feel on my feet
And through all things I separate
He loves seamlessly.

Photos by Tom Brosnam

Dispelling the Darkness of Obscurations

Recognising our true essence at the Dawning of the Dharmadatu

Posted in Arts and Media


Inspiring Story

February 25th, 2012

The story of Krisha Gotami & the mustard seed

With installation by Adrienne Shaw

Krisha Gotami was a young woman who had the good fortune to live at the time of the Buddha. When her first born child was about a year old, it fell ill and died. Grief stricken and clutching its little body, Krisha Gotami roamed the streets, begging anyone she met for a medicine that could restore her child to life. Some ignored her, some laughed at her, some thought she was mad, but finally she met a wise man who told her that the only person in the world who could perform the miracle she was looking for was the Buddha.
So she went to the Buddha, laid the body of her child at his feet, and told him her story. The Buddha listened with infinite compassion. Then he said gently, “There is only one way to heal your affliction. Go down to the city and bring me back a mustard seed from any house in which there has never been a death.”
Krisha Gotami felt elated and set off at once for the city. She stopped at the first house she saw and said: “I have been told by the Buddha to fetch a mustard seed from a house that has never known death.”
“Many people have died in this house”, she was told. She went on to the next house. “There have been countless deaths in our family” they said. And so to a third and a fourth house, until she had been all around the city and realised the Buddha’s condition could not be fulfilled.

Rinpoche,Sogyal 1992, The Tibetan Book of Living and Dying, Rider, United Kingdom pp28,29.

By Adrienne Shaw

By Adrienne Shaw

Adrienne Shaw

Posted in Arts and Media


Brigette Reisz – Malerei

February 25th, 2012

Please see www.brigittereisz.de for further works

Untitled, 2010, 60 x 70cm, egg tempera on canvas, By Brigitte Reisz, Photo by Alistair Overbruck

Untitled, 2010, 152 x 117cm, egg tempera on canvas, By Brigitte Reisz, Photos by Alistair Overbruck

Untitled, 2007, 300x 480 cm, egg tempera on canvas, By Brigitte Reisz, Photos by Alistair Overbruck

Posted in Arts and Media


Agua Luna – Series I

February 25th, 2012

By Raymond Steiner

Agua Luna is a series of photographs taken on February 16th, 1980 on a beach in Karwar, Karnataka, India just before, during and after the ‘totality’ stage of a total solar eclipse that occurred on that day.

The shifting colour palette in each photograph is due to a phenomenon known as shadow bands (also known as flying shadows). These moving ‘ripples’ of light only occur for a few moments prior and after totality and are sometimes very difficult to observe.

In 1842 George B. Airy, the English astronomer royal, saw his first total eclipse of the sun. He recalled shadow bands as one of the highlights:

“As the totality approached, a strange fluctuation of light was seen upon the walls and the ground, so striking that in some places children ran after it and tried to catch it with their hands.”

And to quote J.C. Bhattacharyya from the Indian Institute of Astrophysics, Bangalore, India:

“Every eclipse observer carries in his mind the experience of living through a dream. In the last few moments prior to totality the light faded rapidly, bands of shadow moved all around and stars appeared in the sky. The eclipsed sun changed appearance from a thin crescent to a string of bright points like a diamond necklace then the pink chromosphere flashed out and totality began. For a few minutes, the bright halo surrounding the eclipsed sun became the most glorious object in the star studded midday sky. The entire sequence of events was so unusual that it left a deep lasting impression on all viewers minds.”

The photographs of this rare lustrous light are impressions left on 35mm Ektachrome emulsion via a 105mm Nikkor lens on a Nikon F2 SLR.

All photographs ©1980 Raymond Steiner.

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